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| Dolphin
Relationship Aquarium Interview
with Jean Houston THINKING ALLOWED
MISHLOVE: There is a wonderful story you tell me about your encounter in Australia with an Aborigine woman. HOUSTON: Yes, yes, that was wonderful -- several years ago. We were in the center of Australia, and she was showing me how to find food. And I said, "Well, how can you find food here? I mean, it's barren; there's nothing here." And she said, "What is it? You don't see? Look at these beautiful grasses. Sip this wheat resin. Ah! Isn't that beautiful! Look! You see that sink over there, mate? Under that, oh, look what we're going to find. Oh, a beautiful tuber! Ah, under that rock there -- oh, lovely mealy grubs! What a dinner we're going to have! How can you live seeing as little as you do?" How indeed? I mean, here she was leading my blind urbanity to see nature's secrets. And then I asked her, "How do we different human beings differ from the others -- from the koala bear, from the wallaby, from the kangaroo, the animals?" She says, "Why, mate, we're the ones who can tell the stories about all the others." And that is our humanity, you see -- that we tell the stories, that we see the larger picture, that we have access to the pattern that connects us. MISHLOVE: It's interesting that some of the most ancient, most primitive cultures -- and surely the Australian Aborigines are among -- HOUSTON: Perhaps the oldest, yes. MISHLOVE: They have that great gift of storytelling that's often lost to modern culture. Jung talks about modern man in search of a soul. HOUSTON: In search of a story is what it's more like, yes. That's already an abstraction, in search of a soul. Yes, you know, I think one of the problems is when we got the television set it replaced the hearth, didn't it? It was at the hearth that the grandparents or the elders told the stories, and the great chain of being between the generations was woven, and the wisdom was passed on. And now, you know, the grandparents have moved elsewhere, often south, and we're left with the television set. But we're also being given access, and more and more, to everybody's stories, to everybody's myths. And also the sense that we are now all in it together, in perhaps the greatest moment in human history, in which we are recreating the earth story. MISHLOVE: Well, here we are, living at a time where humanity as a whole is faced with its potential for self-annihilation. HOUSTON: Yes. MISHLOVE: And at the same time, these great myths are rising up, and there's this yearning for myth. And each myth has its own embodiment of a sense of the divine. And it's ironic to me, I think it's significant, that as we face our own potential death, that we are reminded of our divinity. HOUSTON: Yes indeed. I'm thinking now of the greatest Western myth. One of the key myths of the Western world is the search for the Grail. You find that is a very key myth, and in that story, the world is a wasteland. It has lost its story; it's lost its depths. And the Fisher King, who holds the secrets of the Grail, himself can only fish because he's so deeply wounded. And the knights from Arthur's court and the healers come day and night to try to help him, but nothing works. And one day the chosen knight, whose name is Percival, or Parsifal -- his name means "piercer of the veil" to the larger story, or Parsifal, "total fool," because the total fool, the great comedian, the fool, is often the piercer of the veil. But he's just had a Ph.D. in knightcraft; you know, he's learned too much, and he knows that a good and perfect knight doesn't ask too much. He stays quiet. So this Grail is being passed in his midst of the Fisher King, and he says, "Uh --," and he doesn't ask the question. And the next morning, after he wakes up, the castle is empty, and he goes out and spends somewhere between five to seven years doing his job with no passion -- so much like ourselves; we miss our great moments. We spend seven years doing what we're supposed to do, but with no passion, with no heart, and with no story. MISHLOVE: Because he failed to ask. HOUSTON: He failed to
ask the great question, and it is only after he has
accumulated a great deal of human experience and a great
deal of extremely hard-won wisdom, and has cracked
through the membrane of his own forgetfulness, that he is
then able, in the course of the story, to go back to the
castle years later, and And instantly the
Fisher King is healed, and the wasteland is healed. It
begins to become green again, and budding No one had had enough
passion for the possible to And that is why the
world was failing, from lack of the passion to ask the
great question. And I think it's the great Western story,
and of course it has been And we are now saying, "Where is it? What is the secret of nature? What is the secret of the heart? What does it mean to truly love? How can we find our sourcing again?" And the kind of work I do all over the world is essentially to say that the Grail is within. It is there. We have access to these capacities. It is now time for us to learn to use them. MISHLOVE: The wounding seems so significant here. HOUSTON: Yes. Wounding is critical to every great myth. Christ must have his Crucifixion, otherwise no upsy-daisy, you know. Artemis must kill him who comes too close; Dionysius must be childish and attract Titanic enemies and be ripped apart. Achilles heel; Odin's eye. MISHLOVE: But there is a sense too, now on this planet, there's such wounding of nature. HOUSTON: Such
wounding. Oh yes. I mean, wounding of nature and wounding
of ourselves. Most of us have somewhere between, I'd say,
five to a hundred So the depths are
rising everywhere. And in all the great stories the
wounding was the entrance to the MISHLOVE: Do you find
in your journeys around the world that in the affluent
areas, where people are very comfortable and maybe less
aware of their HOUSTON: No. No, you'd
think the answer would be that is so, but it isn't. I
find that the asking of the question is literally
pansystemic. It is Pangaia. I mean, it's MISHLOVE: You often
use this phrase. When I ask you, "What is your work
about? What is your real message?" you've told me in
the past that it is simply this: HOUSTON: These are the times. We are the people. If not now, when? If not you, who? -- as Hillel said two thousand years ago. And all of us are serving as midwives, as evocateurs of the possible in each other. And we can only do it together. There's no such thing as a guru anymore. I mean, guru should be spelled "Gee, You Are You." And that's ultimately what my work is about. MISHLOVE: We have just a couple of minutes, Jean. Is there some final thought you'd like to leave with our viewers? HOUSTON: A final
thought! What an extraordinary idea that there is a final
thought. I think my final thought is there's no such
thing as a final thought -- that we are really part of an
ongoing story, a never-ending adventure; that these are
the most exciting times in human history; that what we do
profoundly makes a difference. But one thing that I
advise people to do so that they don't get lost in their
own loneliness is to find a few friends, and to start a
teaching-learning community, an ongoing teaching-learning
community, in which they grow together, in which they
challenge each other, in which they do perhaps physical
or Margaret Mead on her
death bed -- I was very close to Margaret Mead, and she
said to me, "Forget everything I've been teaching
you about working with governments MISHLOVE: Jean Houston, thanks so much for being with me. HOUSTON: Thank you. End Part Three of
Three Parts
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